The 70-200mm f/2.8 class of fast telephoto zoom is (along with the fast standard zoom) one of the key workhorse lenses for the working photographer, and is used for a huge range of applications. From weddings and portraits, though events and journalism, to sports and wildlife, this lens will be a mainstay of many a professional, and therefore The Nikon Z 70-200 f/2.8 S lens is the best in this zoom range available on the market - Period. Let me repeat, the new S 70-200 is the best 70-200mm available. More than likely, you are buying this lens because it is a native Z lens and requires no FTZ adapter, which makes the lens act as one with your mirrorless camera body, no more fiddling with an FTZ adapter. Owning both the Legacy F Canon’s RF 70-200mm f2.8 checks in at 2.35 pounds, Nikon’s at 2.99, and Sony’s at 3.26. It’s definitely a two-hander and not a lens that photographers are going to want to shoot with all day. The Nikon Z 70-200mm f2.8 VR S is a well designed telephoto zoom complementing Nikon’s Z 24-70mm f2.8 S and Z 14-24mm f2.8 S to form the trinity of professional zoom lenses with constant f2.8 aperture for Nikon’s Z system. The new lens offers a much faster focal ratio than the Z 24-200mm f4-6.3 VR super-zoom and is aimed at professional Distortion at 70mm. Edge performance could be better. The Sigma APO 70-200mm F2.8 EX DG OS HSM ($1,259) is a less-expensive professional alternative to similar lenses from Canon, Nikon, and Sony The Nikon Z 70-180mm f/2.8 proves that relatively fast f/2.8 constant-aperture telephoto zooms don’t have to be big and heavy. Indeed, while most ‘trinity’ wide-angle, standard and telephoto zooms are typically hefty affairs, Nikon’s Z 17-28mm f/2.8, Z 28-75mm f/2.8 and this new Z 70-180mm lens are relatively compact and lightweight. The 70-200mm telephoto zoom is, quite rightly, one of the most popular designs in any lens range, being incredibly versatile for many applications. Here Sigma introduce their new f/2.8 lens for The Nikon Z 70-200mm f2.8 VR S produces pretty sharp results in the inner image circle at 70mm focal length even wide open. But to get the outer areas sharp the lens needs to be stopped down to at least f11. Following is a sequence of close-up shots at 200mm focal length and 1:4.6 magnification with the crops from 0mm, 8mm, and 18mm off the LjMzRpE.

nikon 70 200 f2 8 review